{"id":4295,"date":"2025-12-31T11:18:30","date_gmt":"2025-12-31T10:18:30","guid":{"rendered":"https:\/\/www.cacp-villaperochon.com\/agenda\/missv-sandrine-rodrigues-le-temps-dune-lueur-light-at-work\/"},"modified":"2026-03-31T09:20:49","modified_gmt":"2026-03-31T07:20:49","slug":"missv-sandrine-rodrigues-le-temps-dune-lueur-light-at-work","status":"publish","type":"agenda","link":"https:\/\/www.cacp-villaperochon.com\/en\/agenda\/missv-sandrine-rodrigues-le-temps-dune-lueur-light-at-work\/","title":{"rendered":"MissV \/ Sandrine Rodrigues – Le temps d’une lueur, light at work"},"content":{"rendered":"\n
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MissV \/ Sandrine Rodrigues<\/strong>Le temps d’une lueur, light at work<\/h1><\/div>\n<\/div>\n\n\n\n
From 01 April
To 28 May<\/div>\n<\/div>\n<\/div><\/div>\n\n
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Rencontres de la jeune photographie internationale 2022Exhibition curator: Nicole VITR\u00c9-M\u00c9CHAIN<\/h2><\/div>\n\n\n\n
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Invitation to the Maison Fran\u00e7ois M\u00e9chain<\/h5><\/div>\n\n\n\n

La Maison Fran\u00e7ois M\u00e9chain, a non-profit organization founded in 2020, offers artists and writers residencies in rural areas. Officially supported by the French Ministry of Culture and local authorities, it welcomes visual artists, photographers and writers who benefit from a privileged time and place to work. The project is to create an open space for sharing and encounters, where creative practices can flourish. It is located 8 km from Saint-Jean-d’Ang\u00e9ly in Charente-Maritime, in a former 18th-century<\/sup> dwelling where artist and photographer Fran\u00e7ois M\u00e9chain lived and worked for over 40 years. <\/p><\/div>\n<\/div>\n\n\n\n

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Practical information<\/h2><\/div>\n\n\n\n
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<\/path><\/svg><\/span>Exhibition from April 1 to May 28, 2022 at the Pavillon Grappelli<\/span><\/div>\n\n\n\n
<\/path><\/svg><\/span>Tuesday to Saturday, 1:30 to 6:30 pm, closed on public holidays<\/span><\/div>\n\n\n\n
<\/path><\/svg><\/span>FREE ADMISSION<\/span><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n
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MissV<\/h2><\/div>\n\n\n\n

Born in 1980, she lives and works in Limoges. After a 10-year career in the theater, she left everything behind to enter the \u00c9cole sup\u00e9rieure d’art de Limoges (DNSEP). Trained in photography by Nicolas TREATT, G\u00e9rard RONDEAU, Pierrot MEN and Denis DAILLEUX, she attaches particular importance to analog processes and the poetics of the accident. She photographs 4-handed with Cl\u00e9ment DELP\u00c9RI\u00c9 for the [Just] Kids project (the first part of which was presented in 2018 at the Festival des Francophonies). In 2021, she will continue her research in residency at La Maison Fran\u00e7ois M\u00e9chain.I grew up in Oradour-sur-Glane. It was on the forbidden images of the ashes of the 1944 massacre that I had to (re)build. I use photography as a way of writing and as a support for the latent image. Like a breakthrough into another world, the ghostly image allows me to shed light on souls that appear to me and leave me speechless. I search for this unique moment, the appearance of this imagined thing, then try to reveal it, to keep it alive, in light. If I’ve done everything to avoid an accident, today, in the silence of the darkroom, I’m waiting for it. <\/p><\/div>\n<\/div>\n\n\n\n

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Sandrine Rodrigues<\/h2><\/div>\n\n\n\n

Sandrine Rodrigues was born in 1975. She lives and works in Saint-Jean-d’Ang\u00e9ly (Charente-Maritime). Trained in art history, sociology and visual arts, she teaches visual arts in secondary schools. She has several exhibitions and Artist Residencies to her credit, including in Toulouse, espace PREP’ART, festival Traverse; in 2013 in Rouen, Entr\u00e9e libre#3, itin\u00e9raire d’art contemporain; in 2011 in Poitiers, residency at L’Appart, En attendant les cerises productions, shooting of the video ABSOLITUDE with Morgan DALAVAN, MO compagnie and in Clermont-Ferrand at the Vid\u00e9oforme festival.My questions concern space, the body and mobility in an individual and social dimension of lived and perceived space. The video installation presented at the Pavillon Grappelli in Niort questions the very nature of the image and the conditions of its perception: still image, moving image, plastic play with the projection medium (the straw-bale wall) combine with the history of painting and representation to blur the viewer’s gaze, inviting him or her to take a slow, contemplative look at a work that both reveals and conceals itself. <\/p><\/div>\n<\/div>\n<\/div><\/div>\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

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